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Bimal Dasgupta View Artworks of Bimal Dasgupta Back to Artist

Born in Bengal in 1917, Bimal Dasgupta was raised by his uncle, a government employee posted in Delhi. His uncle’s family did not support his ambition of becoming an artist and he joined Calcutta’s College of Arts and Crafts in 1937 with his father’s help. But the war interrupted his studies and he found himself working as a clerk in a war office where his talents were put to use as assistant director in charge of all artwork in Victory magazine.

After the war, he came to Delhi. When he landed in Delhi, his first point of contact was Dhoomimal Art Gallery. According to those close to him, he worked there for a brief while, curating some of their exhibitions. And then later on, became like family friends to Uma and Ravi Jain and would be associated with the gallery for a long time to come.  After teaching at the College of Art in New Delhi for 14 years, the turning point in his life came when he went to Germany on a scholarship in 1961.

. His stay in Germany led to the influence of trends in European modernism on his art such as cubism and constructivism.

He went to Dusseldorf in Germany for an year where he got a lot of influence from Gothic architecture, Baroque architecture, Anglo-Saxon architecture. And the forms, the buildings, and all those architectural elements of the city of influenced him in his work in that period. And the experimentation continued even after he was back in India. 

in the later phase of his life, 1980’s mostly, he shifted completely to seascapes. And his works became more and more meditative and introspective. He was rather passionate about the study of the sea. He bought volumes and volumes of books that were different kinds of accounts of the sea life – scientific accounts, travelogues, etc. Infact, he was an avid reader of the works of renowned American astronomer and cosmologist Carl Sagan. He also used to travel a lot of Varanasi , another pointer to his love and longing for water bodies.

Nature finds a very distilled, concentrated expression in Bimal Dasgupta’s artworks. Be it his landscapes or seascapes, the bounties of nature – its flora, rocks, moss , fossils, weed , corals, shells ,etc always get transformed into a sublime and ethereal entity through his imagination, reflection and craftsmanship. There is that rare quality in his works that takes away the paintings from pure representation of nature to a sort of recreation. And this recreated nature is by no means an artifice. It pulsates with a vital, organic energy symbolizing life itself. So with the rather unusual colour scheme that he adopts, the trees, the rocks, all these become surreal but the painting never loses the crux of realism, crux of existence.

Having passed out from the Government College of Art, Calcutta, Bimal Dasgupta’s formative influences were from the great pioneers of modern Indian art – Jamini Roy and Binode Behari Mukherjee and Ram Kinker Baij notably. His earlier works were more on the realistic, representational side, even featuring human figures at times. However, later on,  as he moved to Delhi and began teaching at the Delhi College of Art , he began to assimilate influences from different sources and gradually evolved his own idiom of abstract art .

But even as he was , in the middle and later part of his artistic oeuvre, mostly painting abstract landscapes and seascapes, the strong foundation of realism was always intact

Bimal Dasgupta was made a fellow of the Lalit Kala Akademi, New Delhi, in 1989. Besides being exhibited widely in India and abroad, he also handled commissions for murals for the India pavilions at the International Trade Fairs in Moscow and Tokyo. He was honoured by the Sahitya Kala Parishad, New Delhi, in 1972.



  1963-77 Taught at Delhi College of Art, New Delhi.

  1937-43 Diploma in Painting, Government College of Art and Craft (GCAC), Kolkata

Selected Posthumous Exhibitions

  2011 ‘Manifestations VI', Delhi Art Gallery, New Delhi

  2011 ‘Manifestations V', Delhi Art Gallery, New Delhi

  2010 ‘Manifestations IV’, Delhi Art Gallery, New Delhi.

  2008 'Moderns', Royal Cultural Centre, Amman, Jordan organized by Lalit Kala Akademi, New Delhi in collaboration with Embassy of India, Amman, Jordan

  2005 ‘Manifestations III’, organized by Delhi Art Gallery, Mumbai and New Delhi.

  2004 ‘Manifestations II’, organized by Delhi Art Gallery, Mumbai and New Delhi.

  2003 ‘Manifestations’, organized by Delhi Art Gallery, Mumbai and New Delhi.

Selected Solo Exhibitions

  1970,72,74,77,83 Dhoomimal Art Gallery, New Delhi

  1966 Chicago.

  1961 Marshal Kowaska Gallery, Poland.

  1961 Pargaman Museum, Berlin.

  1957 Artistry House, Kolkata

  1956 Delhi Shilpi Chakra Art Gallery, New Delhi

  1955 All India Fine Arts and Crafts Society (AIFACS), New Delhi

Selected Group Exhibitions

  1982,80 ‘Calcutta Painters’, Group Show, Kolkata

  1980 Sarala Art Gallery, Chennai


  1986 Festival of India, Moscow, USSR.

  1985-86 Festival of India, Paris.

  1979 Contemporary Indian Art, Frankfurt, West Germany. Travelling Exhibition,, Poland, Czechoslovakia, Hungary & Bulgaria.

  1972 18 Artists at Palo Alto, San Francisco.

  1970 Expo 1970, MOMA, Tokyo

  1965 Sao Paulo Biennale, Brazil.

  1958 Travel India, Art Exhibition, Moscow, Germany & Poland.

  1956 National Exhibition, Lalit Kala Akademi, New Delhi

  1952 Contemporary Indian Art, Travelling Exhibition, China, Japan.


Honours and Awards


  1989 Fellow, Lalit Kala Akademi, New Delhi.

  1988 Awarded title of Kala Ratana by All India Fine Arts and Crafts Society (AIFACS), New Delhi.

  1972 State Honour, Sahitya Kala Parishad, New Delhi.

  1961-62 Government Scholarship to travel around Europe.

  1958 Certificate, National Exhibition of Art, Lalit Kala Akademi, New Delhi.

  1956 Din & Jukerman's Prize, All India Fine Arts and Crafts Society (AIFACS), New Delhi

  1956 National Award, Lalit Kala Akademi, New Delhi.

  1954 Gold Medal, Academy of Fine Arts (AFA), Kolkata

  1954 First Prize, Hyderabad Art Exhibition, Hyderabad.

  1952 First Prize, Mysore Art Exhibition, Mysore.

  1951 Became an Asst. Director in charge of all artwork in the Victory magazine.

  1948 First Prize, All India Fine Arts and Crafts Society (AIFACS), New Delhi

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